What made this oil-acrylic painting unique isn’t just the blend of mediums, but the wood panel I chose to make this illustration on. It isn’t a large composition (8 in X 10 in), but does not lack immense details.
This is the first time I chose to create a self portrait; this wasn’t any sort of assignment for a studio class or even a prompt for an art contest.
I believe that the most difficult aspect of this original painting was the placement and structure of the foxes; in order to keep the flow of the work consistent I added another fox (lower left hand corner)
I have seen another contemporary artist, Kelly Denato,’s paintings which possessed a glowing effect despite no iridescent shimmer paints. In order to achieve that same effect I used a tiny brush and pastel paints to dip dots all over the backdrop, almost like fluttering flower petals and snowflakes.
This will more than likely end up in my ‘Best of 2017’ post upon January 1, 2018. Thanks as always for viewing. Merry we meet and merry we part.
My final, finished acrylic painting, ‘Parisian Doodle,’ is the fourth entry of my collection submitted to the Westminster Kennel Club annual art contest. Fun fact: this glossy black plastic frame is $4 from the nearby Family Dollar
To be honest, I wasn’t sure whether or not I’d continue after this stage; I was uneasy over whether I should or not stereotype in an asthetically pleasing way, with the Parisian Eiffel tower and Palace of Versailles garden.
Is the ‘Parisian Doodle’ better off without the tiny delicate flecks of glossy gold Golden acrylic paint marks or not? You decide.
I always make sure to shamelessly self endorse my live painting videos on my story portion of my Instagram page, @xi_wen_c , at least three hours ahead.
The close up are on my other ‘Parisian Doodle’ Instagram journal entry. Merry we meet, and merry, we part.
Your friend, coven sister, packmate, confident, roommate, ally, business partnery,
‘Royale Mischief’ is inspired by Victorian era paintings of pampered dogs portrayed in mansions. I decided to use oil paint to create the vivid textures in the coat and and furniture.
The fur coat is a mass of lightly blended colors, it was fun to experiment with vibrant and subtle hues. Creating the torso and proportions was quite difficult, since this pooch isn’t standing or sitting still.
For the first two layers, I was at a lost as to what to do with the background; I first painted it green since grass was the backdrop in my French bulldog reference photo:
I am rather satisfied with the end results: I enjoyed painting the facial expression and implying the backdrop. I believe that a mix of cadmium red and Indian red Gamblin oils was a suitable choice sicne it helped define the curves and edges of the pup.
I’ll be posting a varnish video of it the minute this painting is completely dry. Blessed be your weekend!
I’ve always been a fan of beautiful necklaces, whether they are simple rose gold chains bearing open heart pendants or large elaborate decorations with matching pendants such as this creation. What is your favorite childhood treasure? I used to have a silver locket with a compass dial made of glass stones in colors: red, orange, green, and blue. I think it broke due to my nine-year-old carelessness.
But back to this handmade ‘wearable art’, I made it with the intention of combining past and present. The ‘ling hua’ knot in the center is a flower knot that is a popular entity of past Chinese dynasty art, whether it’s carved into pottery or embroidered upon a courtesan’s dress.
What makes this handicraft look ‘modern is the open ‘hui-ling’ knot, or rather, hollow square knot. There is a order and structure, but room to grow and develop.
I had fun connecting the ‘chunky’ ceramic beads, since it was a struggle to try and keep the two halves of a half moon with an arc together. Finally, I just gave up, and taped the two rebels together. You’re bonding in the same room, like it or not.
The clasp of this unique necklace was a bit of a struggle to create as well, since I am low on both jump-links and clasps, but I managed to create something unique, with a touch of tradition and innovation.
I appreciate whomever took the time to read through the ‘crafter’s process’ if you will. If you are wishing to see how all these close-up photos relate to one another, but are unwilling to scroll back up since you think it’ll crush your scrollbar somehow, a combo picture lies right below this sentence.